the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger
I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.
Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.
And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.
The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.
They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.
Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.
The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.
*
The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.
The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.
They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride.
They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.
There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.
You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.
*
When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.
When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.
*
The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.
There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition.
You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.
*
It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.
You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.
*
A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.
In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.
You nod to him, and he offers you a cupcake.
This is so awesome.
Actually, this is New York. Why hide?
Marvel had a plotline that there’s an old tailor who does suit design, fabrication, and repair. He sees heroes and villains on alternate days, and no one attacks or fights at his shop for risk of losing his business.
This was a Spider-man story, so of course the upshot of it was that no one had told Spider-man (they assumed he knew, or he just enjoyed making his own costume). Spidey’s sewing skills are also canon, and he’s sometimes expressed frustration/bewilderment that other heroes don’t know how to, mostly when he gets stuck with a sewing job that he assumes literally anyone in a custom costume could be doing.
(there’s a DC fancomic about this except the poor guy has to cater to villains)
I’ve been working on a wooden longbow most of the afternoon. Here are ten easy steps for making your own 🙂
1. Cut down a tree
2.Split that tree into lengthwise sections called staves. The dog will help
3. Build a woodshed
4. Let those staves dry for a few years in the shed
5. Remove all the shit that isn’t a bow. The dog will help again by lying on your foot
6. Make sure the handle stays centered in the growth rings
7. Steam bend and weight the wood so that both limbs start with the same bend
8. Slowly remove wood from the belly of the bow on both sides until they bend evenly
9. Add tip overlays, handle wraps, and all the fancy crap
10. Go out in the yard and practice till hunting season starts
I may need to drive to town for some human contact.
😮
Any particular wood? What was it here? I always meant to try making a bow out of my parents’ overgrown yew shrubbery, but that didn’t work out.
Pictured in the compilation above are shagbark hickory, hop-hornbeam, and common buckthorn. While English yew is rightfully considered one of the best bow woods, almost any straight grained hardwood can make a very nice bow. You can even use maple boards from the hardware store to start.
There was one kid who was really feeling mango ripping off the robo arm
taako is was the worst part because everyone wanted tuna after
I made a The Adventure Zone mural this year for the Pasadena Chalk festival! (I used @careydraws designs for the boys) Shout out to Bubs for assisting me again this year and working on the tourmaline in 90+ weather again
(If you’re near Pasadena before the 21st, you can go check this seven by seven mural in front of the convention hall in the Paseo Colorado!)
St Lucy is the patron saint of anyone with eye problems, primarily because her Latin name Lucia means “light”. Some stories suggest she was martyred by having something nasty done to her eyes, but this seems have been a later invention, since early accounts have her being stabbed in the neck. Anyway, medieval and Renaissance artists liked to identify her in paintings by making her carry around two eyeballs on a plate. Or in a bowl. Or even in a wine glass. Other artists preferred to show the eyeballs growing on a stalk or on a cocktail stick like a really weird canapé, but those serving suggestions are somehow less amusing than tableware.
Meanwhile, the eyes in Lucy’s head can sometimes be seen casting a sideways glance at the receptacle in her hands, probably because it often resembles some sort of bemused Muppet.
I definitely like how some of them are legitimately detached eyeballs, some are disembodied floating eyes complete with shady eyelids, and some give the effect of the artist anthropomorphizing the Object of Proffering by giving it googly eyes. Like, it’s obvious that some artists know that eyeballs are balls, and some people thought that was a figure of speech and obviously eyes have Flesh Curtains on them at all times. Medieval artists are so wild! the way they’re like “ehhhhhh THAT’S GOOD ENOUGH,” it never stops being funny.
It also reminds me of a job interview I had one time where the professor was like “so do you have a problem with eyes” and I was like “I am not… sure…?” and he was like “here take and find out” and I looked at the object in my hand and was like “so this is a… it’s a detached human eyeball, is it?” and he was like “yeah” and I was like “Fresh?” because you have to say SOMETHING, and he was like, “well, Yeah,” and I was like “oh lovely”
but MENTALLY I was like “I … don’t THINK i have a problem with eyes, but I … THINK … that I have a problem with THIS. whatever this is. I mean, it’s fine, but I think i’m,, I think I’m okay not working for you” but it was still an interview so I said “Hmm,” supportively, holding the eyeball (it was cold)
and he held out a dish LIKE SAINT LUCIA, NOW I SEE IT, and I put the eyeball on it and he turned and put it away behind him, anyway I decided I didn’t want that job, but yeah, YEAH, you definitely want to carry an eyeball on a dish, that’s definitely how you want to do that, you don’t want to improvise any more than that.
Here are some cool gals looking mighty dapper! You can click on each photo for names and here’s some info on each fabulous woman:
Lily Elsie: English actress during Edwardian era, famous for being in many musicals and operettas
Josephine Baker: French bisexual actress, singer, and dancer who rose to prominence in the 1920s, refused to perform for segregated audiences, active with the French Resistance during WWII and the Civil Rights movement in the 50s
Dorothy Arzner: American lesbian film director who was the only female director in Hollywood during the 1930s, created the first boom mike for the Clara Bow film “The Wild Party” (1929)
Dorothy Mackaill: British-American actress who was involved in the Ziegfeld Follies, also notable for her silent-film roles
Daphne du Maurier: English bisexual author and playwright, famous for her works like Rebecca and “The Birds”
Frida Kahlo: Mexican bisexual painter, known for the feminist and nationalist themes in her paintings, created 55 self-portraits and once stated “I paint myself because I am so often alone and because I am the subject I know best.”
Hannah Gluckstein, known as “Gluck”: British lesbian artist known for her evocative Modernist paintings, adopted the name “Gluck” because she thought the sex of a painter is irrelevant
Olive Thomas: American silent-film actress, involved in the Ziegfeld Follies, possibly the first “Vargas Girl” after posing for pinup artist Alberto Vargas
Jessie Matthews: English actress, singer, and dancer who rose to prominence in the 1920s and 30s
Katharine Hepburn: American actress who helped to create the “modern woman” image in Classic Hollywood during the 1930s and 40s, wore trousers before it was fashionable for women to do so, won four Academy Awards for Best Actress