See I don’t knit, but my friend does and she says this is the funniest shit for anybody who knits, so… I guess? I’m pointing this to you @stitchcasual, is it funny?
oh my goodness this is hysterical!! I’m crying laughing in the break room at work 😂😂
so in my greek class we were talking about oral composition and how something like the iliad must have been composed, and my prof asked us to consider how we would rapidly compose something like poetry on the spot. and i think it was a really important exercise not just for understanding the construction of an oral epic but also for reminding us of how great works can come from supposedly “humble” origins. so if anyone is ever snobby about their homer, just remind them that, as my professor put it, the iliad is basically ancient freestyle rap, and homer is much closer to jay z than to f. scott fitzgerald
basically what i’m saying is please imagine homer asking someone to give him a beat on the lyre and then dropping the sickest fucking meter ever. the ill-iad, by lil homie
Okay, but what if not all mutations (a la X-Men) are actually helpful? The powers supposedly come from an evolutionary mutation, after all, and some of those hit dead ends – not everyone ends up ‘the fittest.’
And what if this is actually the explanation for Peter Parker’s extraordinarily bad luck? He actually is a mutant, but he has a terrible power that only causes him pain and grief, and the only reason he’s still alive is because he got those spider powers. And no one’s figured it out because they’re distracted by the spider powers and don’t notice that the luck is literally unnaturally bad.
I was talking to my sister about this, and she put forth the suggestion of Peter getting a mutant power suppressant collar put on him and I just… that would be amazing? Like, no one knows where Peter’s powers came from for the most part, we’re got all these mutants running around, it wouldn’t be a stretch for some anti-mutant jerk to just assume that he’s a mutant, catch Peter, and toss him in with all the other mutants they’ve captured for whatever purpose.
Cue Peter announcing to the rest of the captives “Don’t worry, guys, I’m not actually a mutant – my powers still work just fine!” and breaking everyone out. Except, as they get farther and farther into the escape, Peter starts getting more and more concerned because. Nothing is going wrong? At all? This has been shockingly easy? Everything’s going according to plan? What? By the time they’re out the door, Peter’s started actively trying to distance himself from the rest of the group and be annoying and unlikeable, because this is too long without something going wrong, someone’s going to die if this keeps up.
But no one dies. They get back to the X-mansion with minor fuss, Professor X runs some tests because Peter’s freaking out and it turns out, oh, you actually were a mutant, your power is just the worst power ever.
Peter: “Soooo… what I’m getting out of this is, if I keep wearing this collar, I won’t have such constant crappy luck?”
Professor X: “Well ideally it would be best if you learned more about your power now that you’re aware of it and-”
Peter: “Sorry, just remembered that you wouldn’t let me join your super-team so I don’t have to listen to you byeeeeeee~!!!”
And he makes it home in time for supper and life just gets better. Though Peter keeps getting surprised by stuff. Ex:
Peter: Wow, I haven’t stepped in gum in, like, a week. Weird.
MJ: That’s… actually pretty normal for most people?
Peter: What, seriously? Wild.
(snorts) A+ additional content, can’t stop picturing Peter somehow acquiring more of those suppressant collars, so he can learn how they work and build either build himself a new one if the first one he gets breaks or stream-line the design to make it more comfortable and less obvious to wear, because he is high-key Not Going Back To That.
It would also be interesting to see peoples’ reactions to that sort of thing, especially if this is in one of those universes where normal people know at least vaguely about the suppressant collars, not so much from a superheroing standpoint (he can always wear the thing under his costume and just say “yeah, trying a new look”) but from people in school.
‘cause I can see that covering a wide spectrum of reactions, from the people who have no idea what it is and think it’s just some new ‘look’ to the people who do know and approve (because that’s the ‘responsible’ thing for a mutant to do) to the people who think it is high-key disgusting that he’s wearing that thing for various reasons (either under the impression that he’s being played by the system or forced to wear it (I’m not saying MJ is ready to cut someone when she first sees it, but hoo boy, I’m not saying she isn’t, either)). If even a small fraction of the school knows about those collars, wearing it in public means he’s basically come out as being a mutant, and that news will travel fast, it’s high school.
The thing is, though? It’s also happening in a situation where Peter’s supernatually bad luck isn’t in play, and it’d be really interesting to see this play out in a situation where the worst-case-scenario isn’t automatically the most likely.
Also it’s canon that mutant suppression collars cause terrible headaches, so Peter could potentially solve that problem
Oooh, yeah! And if he can’t do it on his own, it’s also canon that he knows a magical surgeon who could potentially help him figure it out!
Peter: EYYYY, DOCTOR STRANGE! My favorite doctor-type person! Help me figure out how to make these stop causing migranes so I never have to take it off again, pretty please? I’m not quite sure which bit of me head it’s causing to hurt.
Dr. Strange: (is so shocked that someone’s asking after his medical knowledge as opposed to his magical knowledge that he’s halfway through a consultation before he realizes what he’s doing)
“I visited the
pumpkin patch yesterday and decided to bring home a pumpkin that in
shape appeared to be a penguin. Friends and family were mystified until I
started painting him.“
I’ve mentioned before that there are tropes I never get tired of, no matter how many times I read them. To prove it, and to benefit you if you have similar interests, I have chosen some of my favourite tropes and listed every example of them that I’ve had the pleasure of reading.
oh, it’s a tragedy, of course it’s a tragedy, how can it be
anything else?
but i think the tragedy is not in his actions, not in the
father he killed nor the mother he wed nor the children he sired. no, it’s not
in what he did, it’s in who he was, the tragedy here is that oedipus was a good man and a good king and unlike so many mythical figures, he did not reap what
he sowed
the tragedy here is not that he was human and erred and suffered
due to his errors.
it’s that he did not err, and suffered, it’s that the sins
of our fathers are our sins too and we cannot escape them
the oracle of delphi gave a prophecy that foretold that any son
of king laius would kill his father and marry his mother. so when his wife and
queen jocasta bore him a son, he had the baby’s ankles nailed together and
ordered him to be left to die.
laius erred. laius planned to kill his son of blood, who had committed no crime, who was in perfect health, who had done nothing but be born. it is laius
who committed the sin of infanticide, and through this sin all other such
events transpired
a shepherd spirits the infant away instead of leaving him to
die, and he is eventually brought to the house of king polybus and queen merope, where
he is adopted. laius and jocasta have no more children, even though this leaves
laius heirless. since we know jocasta will later bear four more children, we
know it is not her whom is the issue here. after laius commits this grievous
crime, he is left sterile, and this, here, is where i believe the curse truly
begins.
the curse over thebes does not begin with oedipus’s rule,
with his supposed transgressions. it begins with his father’s sin.
oedipus grows up a devoted and loving son. he eventually hears
rumors about his strange birth and consults the same oracle his birth father
had, and is told the same prophecy. not knowing he’s adopted, he think the
prophecy refers to polybus and merope, and he flees his home, horrified at the
thought that he could ever harm his beloved parents in such a way.
he’s traveling, and upon a crossroads he meets his birth
father, laius. they do not know or recognize eachother. they quarrel about who may precede
first. it’s important to note that laius is the one who attacks first, who’s so
offended that this unknown man will not move for a king that he tries to kill
him, unknowingly attempting to murder his son a second time.
oedipus kills laius, not knowing he’s a king or his father, rather
than let himself be killed, and fulfills the first part of the prophecy. once
again, it is laius’s actions that are the incendiary actions here. if he had not
attempted to kill oedipus, perhaps he wouldn’t have died. if he hadn’t thrown
his son away, oedipus never would have killed him, since he was so aghast at
the possibility of harming his adopted parents that he ran from his home and
his life rather than risk it.
oedipus acts in self defense. even if he hadn’t, laius had
already tried to kill him once, although neither of them had been aware of it.
a trial by combat would be the least of what oedipus would be owed. he breaks
no laws, does not act in hate or malice or fear. oedipus kills laius, kills his
father, but no great sin is committed. patricide is a sin, but defending
yourself is not, refusing to die is not a sin.
so he travels, and lands upon thebes, where a sphinx has
taken residence, eating anyone who attempts to enter the city and cannot answer
it’s riddle, effectively cutting off all trade to thebes and trapping all its
residents inside, lest they leave and never be able to return. was the sphinx
here when laius left? we do not know. it doesn’t say.
but if it was – did laius leave his city to die? was this
sphinx just another piece of the curse laius had brought down upon thebes by
attempting kill his freshly born son?
oedipus, a cleverer man than any who have yet tried to enter
thebes, answers the sphinx’s riddle, and the creature leaves, having been
defeated by this man’s intellect.
oedipus is a man who has shown himself to be strong enough
to kill a king, and clever enough to defeat a sphinx. he has not harmed any who
did not first try to harm him, was so against committing harm against those he
cared about that he simply left them behind. oedipus so far has shown no fatal
flaw, no poor judgement, nothing damning or ruinous.
jocasta’s brother, creon, had said any man who could rid
thebes of the sphinx would be named king, and given his sister’s hand in marriage.
oedipus had not known about this before arriving. he had not come to thebes
with the intention of becoming king.
but king he becomes.
he is given jocasta’s hand in marriage, and the final
portion of the prophecy is complete. he weds and bed and fathers children with
his birth mother.
notice, however, that this only happens in the first place
because of how honorable and kind oedipus is to begin with.
jocasta is in her forties, at least. she may be a beautiful
woman, but she’s not a young woman. yet there are no accounts of oedipus being
unfaithful, or cruel. jocasta bears him four children, two sons and two
daughters, when during those long years after oedipus she had not had another
child with laius. if oedipus had rejected this widowed queen, said her age made
her unsuitable, had taken mistresses, had kept her as a wife in name only –
then perhaps so much pain could have been spared.
but he didn’t do that. oedipus took a wife twice his age, at
best, took a woman who was not a virgin, who had been the wife of this land’s
former king, and he dedicates himself to her. he is faithful and attentive, and
she must be fond of him, because she later tries to shield him from the truth
when she uncovers it.
which part of his actions can we take account with? yes,
jocasta was his mother, and it is incest – but he didn’t know that. he didn’t
want that. to do otherwise than what he did, to cast aside his gifted bride,
could only be considered cruelty. and oedipus was not cruel.
many years after this marriage, a plague strikes thebes. why
is not clear, because if it were truly due to oedipus’s actions, to the gods
taking offense at this incestuous union between mother and father-killer,
surely it would not have taken years to come to fruition?
but a plague comes, and the oracle says that the only way to
lift it is to see that laius’s killer is brought to justice.
(is it laius, yet again, bringing sorrow upon his city? is
it his restless spirit which curses all of thebes? it is a strange coincidence
that the infertility which he was cursed with after trying to kill his infant
son is the same plight that now faces all of thebes.)
and of course, of
course, honorable and kind oedipus vows to bring the killer to justice,
says that this killer will be exiled for his crime of murdering the king.
exiled, not killed, what a peculiar punishment, what a merciful punishment for a king killer,
what a merciful judgement from a merciful man.
but things unravel, as they do. he tells creon to bring him
the blind prophet tiresias, who tells oedipus that he must stop digging into
this matter. but the good of his city is at stake, so he can’t, of course he can’t,
and tiresias calls him false for not knowing his true parentage. he and creon
quarrel, and slowly, oh so slowly, the truth comes out.
a messenger comes, saying that his adopted father has died,
and oedipus is relieved. not for any malicious reasons, but because it means he
won’t fulfill his prophecy of murdering him. he refuses to go home because
merope is still there, refuses to take up the title of king that is surely his
by right, because he fears harming his mother. when the messenger says that
oedipus is adopted, and there’s no reasons for him not to go home, jocasta finally
realizes that oedipus is her son. she begs him to stop his search for laius’s killer, desperate to
keep the truth from him.
jocasta knows, and tries to protect oedipus. she must
believe he’s worthy of being on the throne, he must have showed her kindness and
affection if she’s so desperate to protect him from the truth, even at the
expense of the well being of thebes.
but oedipus does not listen. he leaves, and finds the shepherd
who gave him to his adopted parents so long ago, and discovers the truth.
he is the son of lauis and jocasta. lauis is the man he
killed at the crossroads. he has killed his fathe and married his mother, all
them each unaware of each other.
after this, there are differing accounts of what happened
next.
sophocles’s account is most popular. he returns to find his
wife and mother jocasta has killed herself, and he takes the pins from her
broach and blinds himself, unable to stand the sight of her. he is then exiled,
as he said laius’s killer would be, and his daughter antigone guides him until
he dies soon after.
in euripides’s version, jocasta does not kill herself.
oedipus is blinded by a servant of laius, and so justice is still served to laius’s
killer, and he continues to rule thebes. i like to think jocasta rules with
him, alive and well, because she no more deserved death than oedipus deserved
blindness.
the tragedy here is not in oedipus. it is in lauis, the
clear villain of this story, the one who damned and hurt and cursed all around
him. he who caused so much strife, and then left it all for his son to fix, for
his son to struggle with.
but he did fix it.
oedipus was a fair and just ruler of thebes, a kind husband
to jocasta, a good father to his children, from all accounts, since antigone was
so devoted to him, and he was disappointed in his sons for their selfishness because that’s not how he raised them.
perhaps oedipus is a story of how our fathers, our
predecessors, those who come before us will curse us and damn us and leave us
more problems than solutions can be found
perhaps oedipus is a cautionary tale, and our tragic figure
is not oedipuis, but laius, who made his own ruin, who’s spiteful hands left
scars on all they touched.
oedipus is a tragedy, but only because it reminds us that
our own undoing, our own unhappy endings, aren’t necessarily within our
control. our own tragedies may not be our fault, may not be due to our
mistakes, maybe we didn’t earn our unhappiness.
it’s not fair.
it’s not fair, and that’s the true tragedy of oedipus. that
good, kind, clever, merciful people can do their absolute best, can show
kindness and sacrifice and love, and in the end it won’t be able to save them
from the mistakes other people have made.
oedipus was a good man, and a good king, and it may not have
saved him – but it saved all those in thebes.
yes, oedipus was blinded. yes, jocasta died.
but the spinx was gone, their line continued, and thebes
thrived.
the tragedy of oedipus is the idea that we’re not in control
of our own destiny.
the triumph of oedipus is the idea that we need not control
it in order to have a destiny worth remembering.
my analysis is that oedipus is a refutation of the just world fallacy.
being good will not save you from the consequences of other people’s bad actions, or from plain bad luck. and your heroic efforts to mitigate those consequences and live up to your responsibilities aren’t wasted just because it’s not your mistakes you’re correcting.